Problems playing these files? See media help. Later in his career, Gounod composed an unrelated setting of Ave Maria for a four-part SATB choir. Opera singers, such as Nellie Melba, Franco Corelli and Luciano Pavarotti, as well as choirs have recorded it hundreds of times during the twentieth century. There are many different instrumental arrangements including for violin and guitar, string quartet, piano solo, cello, and even trombones. Īlongside Schubert's " Ave Maria", the Bach/Gounod "Ave Maria" has become a fixture at funerals, wedding Masses, and quinceañeras. The version of Bach's prelude used by Gounod includes the "Schwencke measure" (m.23), a measure allegedly added by Christian Friedrich Gottlieb Schwencke in an attempt to correct what he or someone else erroneously deemed a "faulty" progression, even though this sort of progression was standard in Bach's music. In 1859, Jacques-Léopold Heugel published a version with the familiar Latin text. The same year it appeared with the words of Alphonse de Lamartine's poem Le livre de la vie ("The Book of Life"). Gounod improvised the melody, and his future father-in-law Pierre-Joseph-Guillaume Zimmermann transcribed the improvisation and in 1853 made an arrangement for violin (or cello) with piano and harmonium.
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